The sky unusually looked so red,
The air was like fire,
A fierce goddess entered the villages,
And killed the people with diseases,
So people remained in their homes,
And did not go outside, In this great famine,
Some died and some survived

Lines from ‘Durbhikshya Boli’ - a poem by poet Sri.Manohar Meher from Sinapali, who witnessed the seven famines of 1899.

This documentary film talks about one hundred years of drought and lore in the districts of Kalahandi and Naupada in Orissa and its impact on the lives of tribes - Gond and Bhunjia. Produced by National Folklore Support Centre (Chennai), in collaboration with Adibasi Sanskruti Gabesana Parishad (Orissa) as a part of Orissa Digital Community Archive Project. Funded by Ford Foundation.

Details of the film in NFSC site

Thanks to Mr. M.D. Muthukumaraswamy ( Director NFSC) for giving me this project and Mr. Mahendra Kumar Misra (ASGP) for helping me realize it.

I learned a lot while doing this film - Simple facts like, my life in Kerala and metros in India never told anything about India. As Gandhi said India’s heart is in her villages. In a way one can call India, a big village. Though the project started with the plan of representing the effect of drought in those regions, what I saw was - the tribes were not only suffered from the drought but they were even badly affected by landgravers and corrupted officials. They were displaced form their own land. Gonds shifted to Raipur, remains a living truth of displacement. Interviews with Mr. Ravi Das, Secretary (Kalahandi Vikas Parishad) also proved this fact.

As Amarthya Sen says in ‘Poverty and Famine’(1981)

“Starvation is the characteristic of some people not having enough food to eat. It is not the characteristic of there being no food to eat”

The Butcher

A few weeks back, on a routine visit to my friend Sweta’s desk at Hexaware, she asked me this question

“Arun, don’t you think you must be doing a short film based on the bomb blasts? See how many are getting killed every other day.”

Though the concept of “The Butcher” was there in my mind for quite sometime, it was then I actually decided to frame it. I’m glad that she asked this question coz it made me realize that there are people who genuinely think that a short film can create some impact on the society we live in. How big or small it would be…don’t ask me…I have no clue..!!! If the film can reach and touch the mind of at least one among a billion, I strongly believe that, it worked.



Now about…‘The Butcher’…In a single sentence……it is the story of a man becoming the cause as well as the victim of a destiny written by him. Let me not give any further explanations on that...but leave it for your to watch...

When I showed this film to my colleagues in office, the immediate response was, “How did you make a butcher act so well in your film?”
And I repied, “Guys interesting question, but the Butcher here is a documentary filmmaker, a music director, a PhD scholar and finally my friend, Rayson. He is the same person who acted as a chicken-trader in my previous film ‘Two Ways Together’. Actually our friend Susan already made this comment that, with ‘The Butcher’ I had given him a promotion from Chicken to Beef”.

Jokes apart, I always enjoyed working with him as we share these notorious qualities in common- lack of shame, lots of unwanted guts and adaptability to anything and everything. We are in the process of another short film where his role is not again of a butcher but of a music composer.

‘The Butcher’ gave me a new friend and an assistant, Sachin from MCC. He has a better role back in MCC. He is the founder, planner and coordinator of a Film Club, Reelity Bites, targeted at reaching the campus crowd with good quality films. Let me talk about it in another blog. He learns commerce in college and breathes Arts. A brilliant person to share thoughts on film, culture and society. I hope to see his name more often in the credits of my future ventures.

The voice of wife and daughter on phone in the film is of ‘Agnetha’, yet another friend whom I got from MCC with this film. Agnetha, I am sure you must have identified a brilliant dubbing artist in you by this time. Good job, get going.

My hearty thanks to Susan for all the support and care. I like the way you take ownership of my works. Your presence is energizing the mode of filming. I can’t forget Mr. Udhay Kumar, the beef stall owner and other friends from the shop for providing the space and helping us on the shoot. In fact, by mistake, I broke a watch given by them while shooting.

Thanking you all,
Cockroach